- Mood:
excited
On my big day off yesterday I went down to the new Capitol Visitor Center, as I wanted to see the lavish facility that cost over half a billion dollars of taxpayer money. I thought it would be a good place for some photography, with all the statues and exhibits inside. After taking the metro to Union Station and walking the rest of the way in the freezing cold, it turned out to be closed. D'oh! The Smithsonian museums were all open, so I didn't think twice about the CVC. Oh well, it was a nice walk anyway, and I did take some decent photos on the way to and from. Maybe the next time I get to take a day off...
- Mood:
disappointed
My one pet peeve, and it's a big one, about most photography shows at art museums is that little or no information about the camera and lens used, the aperture, shutter speed, etc is given. Instead, the wall text just gives the type of print the photo itself is, silver-gelatin for example. That doesn't do me much good. I want to know what kind of camera was used with what film stock. I guess I'm just spoiled by the EXIF data in Flickr, but such basic information would be most helpful. Attention art museum curators, please take note!
- Mood:
curious
Today, that "I wish I could do it all over again" feeling struck again. I was buying a sandwich at Subway on my lunch hour, when a mob of artsy-looking teens/20-somethings entered the store, and all of them were carrying nice cameras. Most had newer DSLRs, but some of them had old 35mm film SLRs, and a few sported unusual vintage cameras. They seemed unusually pleasant for a large group of young tourists, so I struck up a conversation and asked about their gear. They said they were a photography class from Richmond, VA, visiting DC for the day. It wasn't clear if it was a HS or college class, and I'm not very good with judging ages.
While walking back to my desk job with my Subway "Veggie Delight" sandwich, I thought about how nice it would be to be that age again, when everything was new, learning about something cool like photography. Sure, I could take a class now in something photography-related at Penn Camera or the USDA school after work, but it wouldn't be the same. Why didn't I take a photography class in HS or college? It would have been fun mucking about in the darkroom, developing B&W film. If I tried it now, I'd have to stink up my house with chemicals and I'd probably end up poisoning the cat. Oh well, though we may have regrets, we can't turn back the clock; all we can do is continue marching forward. Or, as they said on The Simpsons: We must move forward, not backward; upward, not forward; and always twirling, twirling, twirling towards freedom.
- Mood:
pensive
- Mood:
impressed
One of the more interesting things I did this past weekend was to check out the Move Along show of works by emerging DC photographers at Bloombars. The show was organized by ten miles square, and in case you aren't familiar with the location, Bloombars is that new art gallery and performance space down the street from Wonderland at 3222 11th Street NW in Columbia Heights.
The photography was interesting, but it was a treat just seeing the raw interior of the old storefront where Bloombars is located. Lots of character in there! Also, I got to meet Heather Goss, of DCist and Washingtonian house-renovation fame. There was a $5 suggested donation, and there were snacks and drinks available for purchase, in order to help the art sponsors and exhibitors pay the bills. Later on, there was going to be a musical performance on the small stage, but we couldn't stay that late. I wonder what they'll do next at Bloombars?
- Mood:busy
This may look silly, but it's actually a serious commentary on the security paranoia that has consumed Washington since 9/11. Sadly, Oliver was blown out of the sky by F-16s moments after this photo was taken, in a gross overreaction by the homeland security apparatus.
Actually, Oliver is fine and I'm slowly figuring this software out.
- Mood:half-baked
Frustrated by the photo-editing programs available to me, I ordered the new Adobe Photoshop Elements 7, and it arrived yesterday. Installation on my computer went well and didn't take long, and I took care to avoid all of the online options and go straight for the editing program after it started up. However, once I had it open and working, it became apparent that this would not be an intuitive program. The interface is intimidating, and the backgrounds are all too dark (I understand you can brighten them somehow). It seems designed for a Photoshop insider rather than a novice, which is fine, but I'll have to read the book before using it. The manual that came with the software is useless, and only a few pages long, so I purchased a third-party book on PSE7. I can't wait to figure things out and play around with my photos. But for now, the clunky interface and complexity are a bit intimidating.
- Mood:
frustrated
Even while armed with my fast 50mm f1.4 lens, I found it hard to shoot the perpetually moving fish through the scratched glass and cloudy water. Nothing really beats the human eye, it seems. I did get a few decent shots I'll be posting to Flickr over the next few days, but I deleted the majority of the images I recorded. hopefully, I'll have better luck in the new oceans exhibit at the National Museum of Natural History on the Mall.
One thing to keep in mind, the National Aquarium recently raised their prices from $5 to $7 adult admission, and they don't accept credit cards.
- Mood:
blah
Last week, you'll recall I was prevented from taking photos of the architectural model of the Columbia Heights Public Realm plan by the manager at the BB&T Bank in Kenyon Square, where it is located. Since then, the issue has been debated on Flickr, and I've contacted Ward One Councilmember Jim Graham for assistance. In addition, I emailed fellow blogger Prince of Petworth, who has a knack for securing photographs of sensitive sites (he's very well-known, and must be far more charming than I am). The results have been pretty satisfactory. Jim Graham's assistant said the model belongs to the city, but the bank does have the right to prohibit photography of it. He said the DC government would either move the model to a more accessible location, and/or have an official photographer post pictures on the DC website. I suggested moving it to the lobby of DCUSA, as well as posting photos somewhere.
The Prince of Petworth must have been rebuffed at the bank as well, but he was able to dig up some (new?) official photos of the model which he just posted on his blog and Flickr photostream. So, the word is getting out about this model, and hopefully more people are venturing into the BB&T lobby to see it in person. It's one thing to look at a two-dimensional plan on paper, but it provides a lot more detail and perspective to see what the neighborhood is going to look like in three dimensions. I'd still like to get some high-resolution photos out there with my wide-angle lens, but will have to wait until they hopefully move the model to a different location. It's important that as many people see what their community is going to physially look like in the coming years, so if you haven't seen it yet, swing by the BB&T bank and check it out. A big thanks to Jim Graham and the Prince of Petworth for looking into this!
- Mood:
tired
A large model and plans of the public realm project for central Columbia Heights is on display in the lobby of the BB&T bank in Kenyon Square, by the Metro Station. The other day I decided to have a closer look at it, and to take some photos with my good camera, so I could share them with the community here, on Flickr, and on the various local message boards. However, the BB&T bank manager would not allow me to take photos of it, and said their policy was to not allow photography of any kind in their lobby for security purposes. Aargh!
I pointed out that I was just going to photograph the publicly owned and funded plaza model, and would crop out any bank personnel, customers, or fixtures who appeared in the frame, but he wouldn't budge. The models shows all the buildings from 14th and Irving up to 14th and Monroe Streets NW, with details of the plaza design, streetscape and sidewalk details. In my opinion, it's a bit overdone and Disney-esque, and nice tasteful brick sidewalks would have been sufficient, but I can't share the details with you without photographs.
This episode highlights to me the arrogance and cluelessness of "no photography" policies. Yes, it's private property and they can do what they like, but that doesn't mean they should ban photography. We're talking about a generic bank lobby here, with some chairs, a counter, and the architectural model in the middle. I would have been happy to show them all the photos I took to assure them that none of their security features like cameras or guards were visible. And even if they were, isn't that the idea of having visible security cameras, to deter would-be bank robbers? Why volunteer to host the large architectural model and book of plans in your lobby if you are worried about security, with non-customers traipsing through. I should also point out that the development the bank is in has benefited greatly from city assistance with redeveloping the area, so a little flexibility is in order. They've lost me as a potential BB&T customer, that's for sure.
- Mood:
disappointed
- Mood:
amused
Today is a perfect example! It's sunny and bright, with a refreshing breeze, and low humidity - in Washington, in July. What a rare treat, and of course I'm stuck at the office, unable to even take a sick day because both of my bosses are out. It's a crying shame, and it actually is depressing. It's so frustrating to see all the tourists milling about with their FBI hats and American flag tee shirts enjoying the weather out my window. I can't tell you how many potential weekend activities I've canceled or given up on because of storms, rain, or too much heat and humidity. Missed bike rides, photo expeditions not taken... what's the point when the sky is hazy or grey and all my photos come out crappy? Example: when I went to the Folklife Festival on Saturday, I almost passed out from the heat, and the only photo I was able to take was of my iced tea at Teaism. The light is perfect for photography today. Grump!
Now, I don't expect the government to be able to control the weather, or to build a dome over the city, but there is one thing they can easily do. When the weekend forecast is looking lousy, followed by a beautiful Monday and Tuesday, the Federal government should issue an emergency decree for the east coast megalopolis extending the work week through Sunday, and making Monday and Tuesday the official weekend. It would be easy enough to do, and I'll bet most of the hundred million persons affected would approve of the switch. The practice would do wonders for the morale of the hard-working people of the east coast, the engine of the U.S. economy. We need a break!
- Mood:
depressed
Yesterday was also the day of the June DC Flickr Meetup, and I was determined to make it to this one, despite having a million things to do. The meeting place was the Banana Cafe on 8th Street SE @ 3:30. When I arrived, several other Flickr photographers were gathered around the entrance, The upstairs wasn't yet open, and the downstairs was packed with soccer fans.
Also, we saw former DC Mayor and current Ward 8 Councilman Marion Barry sitting there. I made eye contact with him and kindof nodded, but despite being in a group armed to the teeth with fancy cameras, none of us took a photo of him. I came close to asking him nicely for a photo, but since I don't support him and really wish he'd go away and leave city politics having done enough harm over the years, I thought a fan-type request would be inappropriate. I jokingly suggested we all hit him with a barrage of flash photography, and say we're from the City Paper (just kidding CP!), but we really didn't want to disrupt his afternoon, or risk a beat-down from his bodyguards (though I didn't see any in evidence). I wouldn't make a very good paparazzo, I guess.
The DC Flickr group was growing larger, and the weather looked threatening, so we trekked north and south up 8th Street SE looking for a place to sit and have drinks. Every bar and restaurant was jammed with sports fans, and couldn't accommodate us. Finally, we settled on the outdoor seats at La Plaza on Pennsylvania Avenue SE, across from the former Penn Theater. It was great meeting everybody, and seeing so many interesting cameras. There were several vintage models in evidence, one of which was a pre-war folding one that looked like something Matthew Brady might have used. It was fun being in a group with so many camera-toting individuals, comparing stories about being hassled by security guards, etc. I had to leave on the early side, but apparently the group went back to Banana cafe, and participated in a bit of karaoke! I would have enjoyed watching that, but no way in hell I'd ever get up in front of people and sing, even if my life depended on it. Looking forward to the next meetup!
- Mood:creative
Normally, I'm a strong supporter of photographer's rights, in our post-9/11 security paranoia. On the other hand, I don't want any photos of myself posted on upshortsflabbywhiteguyspumpingriron.com.
- Mood:
confused
[Laundry, barbershop and stores, Washington, D.C.?] (LOC)
Originally uploaded by The Library of Congress
I've taken a crack at a few of them, and it's extremely satisfying to add to the body of knowledge here.
The photo (actually a transparency) I've posted here is a good example of a Washington, DC street scene dating from 1941-42. The neighborhood and street is unknown, and it's driving me crazy. Maybe it's somewhere in SW DC, long since bulldozed into oblivion? Or is it right around the corner, but unrecognizable for some reason? Anybody know where this is? Even if you aren't able to help out, it's worth browsing this amazing archive of photos.
- Mood:
excited
My question is: what is the make and model of car he's standing in front of? It appears to be a convertible, which doesn't seem very practical in Massachusetts, where he lived. It looks to me like it's from the late 30s or early 40s, and the major automobile manufacturers stopped producing new cars in 1942 in order to concentrate on the war effort, so it has to be from 1942 or earlier. Anybody know?
- Mood:
curious
Hello,
My name is ________ and I am a student
of the University __________ in Germany.
Prof. Dr _________ and I will publish a book
about wooden structures in garden
and landscape design (fences, pergola, trellis, terraces…)
The book will be published around May 2008 in German.
We both like your pictures of the pergola and we would like
to publish it in our book:
http://www.flickr.com/photos
Please let me know if this would be okay for you.
For sure, we will publish your name together with the
photo. The picture would be small to medium size completing a
technical drawing.
For picture credits we would need your name and the place
where the photo was taken.
Best regards, _______________
- Mood:
sick
J was let out of work early, due to the heatwave, and she met me at the NGA. We scouted out the excellent gift shop (mental note: be sure to stop by again for holiday shopping), and took in some of the permanent collection. It's so cool and relaxing to sit in the vast marble rotunda by the Mercury fountain, on such a hot, disgusting day.
- Mood:
peaceful








